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Commissions

I love doing commissions, many of which extend me in terms of my carving skills or my linguistic knowledge, or both. Some people choose languages/scripts that have a particular meaning to their family and heritage, and/or significant words or phrases; others choose initials, or simply symbols and characters they like. Here’s a selection of the commissions I’ve done over the past decade, but I can safely predict the next decade will include requests I never anticipated!

To discuss commissions, email me at tim@endangeredalphabets.com.

Artwork

Artwork commissions tend to be pieces to hang on a wall or stand on a mantelpiece, but more ambitious clients have made them an integral part of their homes or offices. Some have become museum pieces.

Furniture

For the larger and more complex pieces, I collaborate with other woodworkers who have the equipment and skills I don’t, while the smaller and simpler pieces I make myself—but in every case I do the carving after discussion with the client. In some cases the larger pieces can be made in such a way they can be shipped and assembled on site. I’m still hoping to do a cross-country road trip to install, say, a gorgeous conference table carved in minority scripts!

 

Woods

In every case, the design, dimensions, the text and the woods are a client’s decision that I try to help inform as best I can. Certain woods really don’t carve well (oak, wenge, mango), while others are expensive or hard to get in a variety of widths (bubinga and olive, respectively) and still others look great at first but then lose their color and turn a muddy brown (purpleheart and paduak). And let’s not even go into woods that are not sustainably harvested. My favorites to work with are probably maple and cherry, but we can have all kinds of fun whichever way we go.